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#1 (permalink) |
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PhotoFreak
Join Date: Oct 2009
Location: Renton
Shoots With: Nikon D300
Flickr: scollins1868
Posts: 140
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The Nightcap...
Trying out some different things with my SB-600 off-camera.
Welcome any comments/critiques/suggestions on lighting, composition, etc.
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Scott C. Renton WA Nikon D300 w/MBD-10 | Nikkor 17-35 f2.8 | Nikkor 70-200 f2.8 VR I | Nikkor 50mm f1.8 | Nikon SB-600 | B+W Filters | Tenba Shootout Medium Backpack | Tenba Shootout Medium Sling | Vanguard Alta Pro 284CT tripod | Manfrotto 488RC2 Ballhead | ProMaster Monopod NS | Manfrotto 234RC Monopod head |
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#2 (permalink) |
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Night Sh1ft
Join Date: Jun 2009
Location: Chicago
Shoots With: 5D MKII
Flickr: AutoPhotog
Posts: 509
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to my eye, the light is a bit harsh, perhaps a diffuser to even out the light, and perhaps warm it up a smidge
the ketel logo not being entirely on the shaker bothers me for composition, but I understand you cant exactly fix that ..(besides...gives the shaker some character...)the glass isnt very focused as well, I keep getting drawn to the highlight on the edge of the martini glass which is oof all comments made with the warmest regards
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A turbo: exhaust gasses go into the turbocharger and spin it, witchcraft happens and you go faster. Canon 24-70 F2.8 L : Canon 70-200 F2.8 IS/L : Canon 5D Mark II : B+W Filters : Photo Whore
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#3 (permalink) |
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PhotoFreak
Join Date: Oct 2009
Location: Renton
Shoots With: Nikon D300
Flickr: scollins1868
Posts: 140
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Appreciated! Yeah, the shaker bothers me as well but not much I can do about it. Maybe I can shoot the shaker again and just photoshop the logo it into this image. I'm not that good with PS, so that will probably look like hell...
One thing I noticed too is that the glass may seem out of focus, but it may also be the hazy liquid inside the glass giving it that impression. I'll probably edit out that bright spot on the rim also. Oddly, I never noticed it until you mentioned it, and now I can't stop looking at it! I do need to get some light modifiers. I had an Omni-bounce on the flash, but it looks like I have may had it set up in a way that it provided too much direct light. I'm finding that working with flash is a huge learning curve!
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Scott C. Renton WA Nikon D300 w/MBD-10 | Nikkor 17-35 f2.8 | Nikkor 70-200 f2.8 VR I | Nikkor 50mm f1.8 | Nikon SB-600 | B+W Filters | Tenba Shootout Medium Backpack | Tenba Shootout Medium Sling | Vanguard Alta Pro 284CT tripod | Manfrotto 488RC2 Ballhead | ProMaster Monopod NS | Manfrotto 234RC Monopod head |
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#4 (permalink) |
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PostWhoringMod
Join Date: Oct 2009
Location: From Chicago, missing Madison, WI
Shoots With: Canon
Flickr: AltOnePhoto
Posts: 964
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i think it would greatly benefit from a constant diffused light source instead (or in addition to) the flash. it just feels too dark even though your primary stuff is lit well.
i dunno... just my $.02
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Apple/BMW/Canon snob
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#5 (permalink) | |
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Femme Fatale
Join Date: Oct 2009
Location: Fort Worth, Tx
Shoots With: Nikon P100, Sony cybershot, XTi, 1984 Canon T-50
Flickr: Twizted_bunny
Posts: 333
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Quote:
and you never light a cigar with a zippo... lol
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so, the story goes like this... boy meets girl, girl falls in love with boy, then boy falls in love with girl, girl then tells boy that diamonds can't cut through wood, then boy tells girl that when the diamond robots come to attack, the boy and girl will live in a log cabin and the robots won't know what the hell is going on... end of story... lol http://www.flickr.com/photos/twizted_bunny/ |
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#6 (permalink) |
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PhotoN00B
Join Date: Nov 2009
Location: Colorado
Shoots With: Canon 5D MkII and 7D with L-series lenses
Flickr: dcstep
Posts: 25
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Good suggestions about lighting so far. I'd also crop off much of the stuff below the bottom of the glass. Perhaps you're trying to show the "dark room, leather covered environment" but the image is so dark anyway that the extra canvas at the bottom is just empty space.
With all those olives, you'll need to watch your salt intake. ![]() Dave |
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